the littlest bird
so, i went and saw the magnificent jolie holland at the spanish club the week before last.
BEST. SHOW. EVER.
she catapulted to the top of my favourite gigs with her sublime performance. and while i wasn't surprised to be completely transfixed by her languid torpidity, i was surprised by a few other things.
she is way smaller than i thought she'd be. tiny, even. barely five feet tall. yet combined with that is a certain awkward heaviness - she stumbles around on stage like it's a boat on a choppy ocean. moving between songs, or from piano to guitar or violin, it seems she has a different relationship with gravity to the rest of us. it pulls her down a little further, makes her a little more clumsy.
when she's playing though, she's the very definition of grace.
she is much prettier than any of the photos i've seen make her appear. her skin is ultra pale, her lips a darkened smudge. a broad face, rounded cheeks. hair that she hides behind. she swayed as she sang, her eyes flickering behind almost closed lids.
live she is much more rock than on the albums. she still slows time itself down somehow with that bluesy, rolling voice, but there's a toughness to her that i wasn't expecting. which is at odds with her oh-so-californian speaking voice, where every second word is 'like.' the dreamy, giggly stories she told at odds with her sharp and quick responses to the good-natured heckling from the crowd. her intonation when speaking is just as unique and varied as her singing. "sun frunciscoo". "i'll be meouving on".
i don't know if i can really capture it. so much about the way she sounds is hard to explain. her phrasing is constantly surprising - she could be from anywhere. and her whistle is an instrument in itself. like she has a bird trapped in her throat that she lets sing now and again.
if you've never heard her, check her out. my housemate squeeky finds her too mournful, but for me her music is vivid and truthful, sometimes heartbreakingly so. whether she's singing about new love or tortured love, whether she's hating herself or loving her ukelele, she cleaves right through skin to my bones and settles in. so eerie and compelling - just gorgeous, really.
i thoroughly recommend her and i'm sorry that it comes two weeks too late to actually see her. if it's any consolation the second show she did at the spanish club wasn't anywhere near as good as the first. but if anyone's in, or going to, the uk in the next month or so, i think that's where she's headed next.
BEST. SHOW. EVER.
she catapulted to the top of my favourite gigs with her sublime performance. and while i wasn't surprised to be completely transfixed by her languid torpidity, i was surprised by a few other things.
she is way smaller than i thought she'd be. tiny, even. barely five feet tall. yet combined with that is a certain awkward heaviness - she stumbles around on stage like it's a boat on a choppy ocean. moving between songs, or from piano to guitar or violin, it seems she has a different relationship with gravity to the rest of us. it pulls her down a little further, makes her a little more clumsy.
when she's playing though, she's the very definition of grace.
she is much prettier than any of the photos i've seen make her appear. her skin is ultra pale, her lips a darkened smudge. a broad face, rounded cheeks. hair that she hides behind. she swayed as she sang, her eyes flickering behind almost closed lids.
live she is much more rock than on the albums. she still slows time itself down somehow with that bluesy, rolling voice, but there's a toughness to her that i wasn't expecting. which is at odds with her oh-so-californian speaking voice, where every second word is 'like.' the dreamy, giggly stories she told at odds with her sharp and quick responses to the good-natured heckling from the crowd. her intonation when speaking is just as unique and varied as her singing. "sun frunciscoo". "i'll be meouving on".
i don't know if i can really capture it. so much about the way she sounds is hard to explain. her phrasing is constantly surprising - she could be from anywhere. and her whistle is an instrument in itself. like she has a bird trapped in her throat that she lets sing now and again.
if you've never heard her, check her out. my housemate squeeky finds her too mournful, but for me her music is vivid and truthful, sometimes heartbreakingly so. whether she's singing about new love or tortured love, whether she's hating herself or loving her ukelele, she cleaves right through skin to my bones and settles in. so eerie and compelling - just gorgeous, really.
i thoroughly recommend her and i'm sorry that it comes two weeks too late to actually see her. if it's any consolation the second show she did at the spanish club wasn't anywhere near as good as the first. but if anyone's in, or going to, the uk in the next month or so, i think that's where she's headed next.
